Cancionero del cine

片名：Mondo Bobo
主演：Sven Medvesek & Natasa Dorcic
编导：Goran Rusinovic
摄影：Ven Jemersic
年代：1997
时长：80 mins
色彩：Black & White
风格：Independent Film & Black Comedy
获奖：科特布斯东欧青年电影节唐吉柯德奖；巴伦西亚国际电影节金月亮奖；普拉克罗地亚电影节最佳影片

克罗地亚青年导演卢西诺维奇凭借这部黑白影片而进入国际影坛，受到各方关注，是克罗地亚最早的一批独立电影之一，片中他将贾木许、戈达尔、昆廷-塔伦蒂诺和冢本晋也的早期电影风格相互融合，讲述一个越狱而逃的连环杀手与警察巧妙周旋的故事。

MONDO BOBO (1997, DSL Film, 80 min). One of the first truly independent Croatian films, directed by Goran Rusinovic. A stylish black and white crime drama inspired by the films of Jim Jarmusch and Shunya Tsukamoto, MONDO BOBO was based on the case of Vinko Pintaric,  a serial killer who escaped from prison and evaded the grasp of police for several years. In Rusinovic's hands, the story becomes a parable of a maladjusted young man who flees to escape a group of blackmailers and extortionists.


下载地址（400mb）：
http://www.namipan.com/d/Mondo%20Bobo%20(1997).wmv/2000ed9d5d5fa07e008bf1c86eda4f2c31d8125235f5f418

片名：Esposados
主演：Pedro Mari Sanchez & Anabel Alonso
编导：Juan Carlos Fresnadillo
摄影：Juan Antonio Castano
剪辑：Nacho Ruiz Capillas
年代：1996
时长：24 mins
色彩：Black & White
风格：Surreal & Thriller & Black Comedy
获奖：奥斯卡最佳动作短片提名；西班牙戈雅奖最佳剧情短片提名；马拉加国际幻想电影周最佳短片...

安东尼奥和柯妮卡是一对夫妻，时常为小钱而争吵，安东尼奥是典型的“妻管严”，被老婆欺负得没话说。某天两人幸运地中了圣诞彩票大奖，柯妮卡自然全权保管拿到手的钱，把它们锁进保险柜里，而密码就藏在她平时戴的项链中，柯妮卡兴奋地想着他们该如何花这笔钱，可安东尼奥却早就受够了她，他只想带着钱一个人远走高飞，去巴西海滩泡MM，于是心怀鬼胎的他开始设计如何置老婆于死地，他先买了张当日飞往巴西的机票，故意营造出自己不在现场的假像，夜晚暴雨倾盆，在与老婆回家的路上，他动手了，可结果却。。。西班牙鬼才导演Juan Carlos Fresnadillo一鸣惊人的首部作品，带你再度领略西班牙电影人的奇异想象力。


下载地址（230MB）：
http://www.namipan.com/d/Esposados%20(1996).mpg/4755d3a94f357f6686c2cf36ebbd47365215ac6bb4d6310e

片名：飓风（Ciclon/Hurricane）
摄影：Santiago Alvarez & Jose Manuel Riera
录音：Amparo Lancirica
导演：Santiago Alvarez
剪辑：Mario Gonzalez
年代：1963
时长：22 mins
色彩：Black & White
类型：Documentary / Newsreel
资料：http://archive.sensesofcinema.com/contents/cteq/02/23/ciclon.html
获奖：前东德莱比锡国际纪录片节金鸽奖

《飓风》是已故古巴纪录片导演阿尔瓦雷兹（1919-1998）的早期作品之一，也是古巴历史上首部获得国际声誉的影片，它真实记载了1963年弗洛拉飓风经过古巴时的巨大破坏力和古巴人民为对抗自然灾害而做出的伟大牺牲，当年那场飓风在不到10天内横扫加勒比海各国，在古巴停留的5天里制造了2600mm的降雨量，导致近2000人死亡，再加上60年代的古巴正遭受着西方经济制裁，内忧外患和自然天灾却无法阻止人们互相帮助重建家园的决心。阿尔瓦雷兹以纪录片导演和新闻记者的勇气拿起摄影机拍摄下飓风的恐怖模样，以现场的真实录音让观者重返那个艰难的时刻。本片在拉美第三世界纪录电影史上的位置犹如Agnes Varda和Joris Ivens的作品于欧洲纪录片一样重要。http://archive.sensesofcinema.com/contents/cteq/02/23/alvarez_ciclon.html

Ciclon is a coverage of hurricane Flora's sweeping the Cuban provinces of Camaguey and Oriente in October 1963: the damage, the evacuation of the villages, and the aid to victims. Shots of the rampaging hurricane Flora, which struck the Oriente and Camaguey districts, were the first filmmaking experience of Santiago Alvarez. It was the first time in the history of Cuban cinematography any film received seven international prizes. The unjustly forgotten work stands at the beginning of a period of original approaches to film editing. The individual sequences are much more explosive than they are illustrative. We witness the onset of the natural disaster and we watch it unfold. The creators also used archival footage. The camera movement was supposed to bring the viewer in the middle of the action and thus create a perfect creator-viewer symbiosis.


下载地址（300mb avi）：
http://www.namipan.com/d/Ciclon%20-%20Hurricane%20(1963).avi/b067133812f27053010edd97e9603a18df3ec7e600d0c012

片名：弗朗哥时期的巴塞罗那 - 1960-1975年实验纪录片选
编导：Agusti Corominas, Carles Barba, Llorenc Soler, Juan Gabriel Tharrats, etc.
时长：13+25+24+24+29=115 mins
色彩：Black & White & Color
胶片：16mm
类型：Experimental & Underground Film & Documentary
资料：Cronica d'una Mirada - Clandestine Filmmaking in Franco's Spain

这五部16豪米实验纪录片选自一套最近在西班牙出版的DVDBOX，收集了1960-1975年间的二十余部黑白或彩色纪录短片，拍摄这些影片的人有职业导演、电影学院的学生以及非专业人士，他们用镜头记录了独裁统治下的西班牙尤其是巴塞罗那所在的加泰罗尼亚地区人们生活的真实景象，由于弗朗哥对外宣称的民主和自由谎言与对内采取的铁腕高压政策，这些影片在当年一直存在于地下无法公开，时至今日，经过多方收集和查找，终于使它们又重新浮上水面，向人们展示出一个处在强权压迫下最真实的加泰罗尼亚。

The importance "marginal" cinema takes on in portraying the city was ratified by the orderly and well funded television series Cronica d'una mirada, broadcast by Canal 33, in which I was able to recognise BTV's documentary yearning for "the other account" of a time and a place. The series travelled the "grey periods" in Catalonia (the sixties and seventies) in non-professional film formats, or at any rate formats not intended for commercial use. Inevitably, almost all the footage centred on Barcelona, with images and accounts that have now become outstanding documents, like Un Viernes Santo (Tharrats, 1960), El alegre Paralelo (Ripoll-Freixes, 1963) or Carles Barba's acid chronicles in Aspectes i personatges de Barcelona (1964).


01. No se admite personal (1968, Antonio Luchetti & Agusti Corominas, B/W 13mins)

02. Aspectes i Personatges de Barcelona (1964, Carles Barba, COLOR 25mins)

03. El alegre paralelo (1964, Enric Ripoll Freixes & Josep Maria Ramon, B/W 24mins)

04. Un viernes santo (1960, Juan Gabriel Tharrats, B/W 24mins) * recommended!

05. Cincuenta y dos domingos (1965, Llorenc Soler, B/W 29mins) * recommended!


下载地址（1.18G AVI）：
http://www.namipan.com/d/No%20Se%20Admite%20Personal%20(1968).avi/909cf9a86aed5c7d12d1f79065ba47a279d2d6ea00e03709
http://www.namipan.com/d/Aspectes%20I%20Personatges%20De%20Barcelona%20(1964).avi/8b7294b1f693278ac92414e545f42f5d502c68e700a0a512
http://www.namipan.com/d/El%20Alegre%20Paralelo%20(1964).avi/df0fc11d5e72f5399e5c79c70c418d9a635296a800708a0e
http://www.namipan.com/d/Un%20Viernes%20Santo%20(1960).avi/074edb61c05a1c3fa33a2c7da5df763b71666a0900f0360f
http://www.namipan.com/d/Cincuenta%20Y%20Dos%20Domingos%20-%2052%20Domingos%20(1965).avi/70abb8d9f8a8a26ff86463c98045e589e4fb363100f04712